University of Houston Libraries is pleased to announce receipt of the personal papers of noted Houston artist Dorothy Hood and her husband, José María Velasco Maidana from the Art Museum of South Texas (AMST). Located in Corpus Christi and affiliated with Texas A&M University-Corpus Christi, AMST advances the awareness, knowledge, appreciation and enjoyment of the visual arts for the residents and visitors of South Texas. The archives will be cataloged, preserved, digitized, and made available to students, scholars, and the public through UH Special Collections.
Hood (1918 – 2000) was a Texas painter best known for her Modernist works. Velasco Maidana (1899-1989), was a Bolivian composer and filmmaker. Donated materials include personal papers, correspondence, scrapbooks, photographs, journals, catalogs, artifacts, audio/video recordings, and ephemera documenting the lives and careers of the two artists. AMST acquired a major collection of Hood’s works in 2001, along with the personal papers of Hood and Velasco Maidana.
Christian Kelleher, head of Special Collections, noted, “UH Libraries is excited to join in the efforts of AMST and other leaders in the arts community to preserve and promote the international legacies of Dorothy Hood and Velasco Maidana. These archives are unique primary source documentation of two remarkable, creative people, and will provide new insights into their works, careers, and lives.”
Sara Morgan, interim director of AMST, reflected on the significance of Hood’s contributions to the arts. “Dorothy Hood was a Texas artist who lived an exploratory life that took her from her birth city of Bryan, Texas, to Houston, Providence, Rhode Island, New York City, Mexico City and eventually back to Texas where she resettled in Houston,” Morgan said. “Her work, much like her life, abandoned conventionality and explored big themes such as space, presence, spirituality, emotion and color. Hood was considered the sole female representative of the artist pack that commanded Houston’s art scene in the 1960s and 1970s. We feel it is fitting that her treasury of papers return to the city that embraced her art and her talent.”
The Dorothy Hood Papers and the José María Velasco Maidana Papers will be cataloged as Collections of the Art Museum of South Texas and the University of Houston Libraries. “AMST is pleased to partner with UH Libraries on the Dorothy Hood Papers,” Morgan said. “This collaboration will provide an opportunity for Hood’s archival materials to be fully examined, leading to a greater understanding of the artist, modernist, teacher and woman over her prolific career. Accessible information will provide expanded research opportunities and will ultimately further the recognition of Hood’s art.”
“University of Houston Libraries is honored to receive the Dorothy Hood Papers and José María Velasco Maidana Papers,” said dean of UH Libraries Lisa German. “Telling Dorothy Hood’s story will be a privilege and we are very grateful to the Art Museum of South Texas, its Board and interim director, and to its former director Joe Schenk for making this possible.”
The McClain Gallery in Houston will host a solo exhibition featuring paintings, drawings and collages of Dorothy Hood from October 12 through December 21, 2019. A selection of documents from the archives will also be on display. The opening reception will be held on October 12 from 2 – 4 p.m.
The collection is currently being processed. For questions about materials in this collection or to request access, contact Christian Kelleher.
This week, visitors to the University of Houston MD Anderson Library will notice a suite of 40 banners displayed in the atrium. The Banner Project, created by Houston activist Sara Fernandez, is a pop-up exhibit featuring pivotal points in Houston’s LGBT history from the 1930s to present day.
2019 marks the fourth year that UH Libraries has partnered with Fernandez to host the banners. Three new additions include Marvin Davis & Don Gill: Fundraising for the Aids Community (1987), Juan Palomo: Bridging Communities (1990), and Maria Gonzalez: Scholar Activist (1991), bringing the total banner count to 46.
“We are hoping that the visuals from the banners will generate discussion, reflection, and awareness across campus and in the community,” said Vince Lee, UH Special Collections archivist.
The Banner Project will be on display in conjunction with October 11, which is National Coming Out Day, and will remain through the end of the month. Staff from Special Collections and representatives from the Banner Project will be available with information on the LGBT History Research Collection, as well as resources from the UH LGBTQ Resource Center, on October 11 from 11 a.m to 5 p.m. in the MD Anderson Library atrium.
During the week of October 7 – 11, University of Houston Libraries joins Texas Library Association (TLA) in its campaign to celebrate the numerous ways that libraries are transforming Texas.
Follow UH Libraries on Twitter @UHoustonLib to learn more.
Starting next week, University of Houston Libraries will offer a series of workshops for faculty, staff, and students to hone their skills on a variety of research tools and practices. Register
Finding Data Workshop
Wednesday, September 25, 2019, 10:00am – 11:30am
Participants will be introduced to commonly-used library data sources and open data portals, and will learn tips for finding data and discuss how to evaluate the quality of data sources.
Introduction to Network Analysis: Basic Concepts, Applications, and Tools
Thursday, September 26, 2019, 10:00am – 11:30am
Network analysis is a research method that scholars in disciplines from public health, to business, sociology and etc. use to explore and visualize relationships between objects, entities, or people. This workshop takes an introductory look at the components of the method and discusses ways that researchers are currently employing it.
Core Data Management Practices for Researchers
Thursday, October 3, 2019, 10:00am – 11:30am
This workshop presents the basic elements of data management that are essential for UH researchers in all disciplines. Topics include: Data management plans, file organization and documentation, storage and backup, security, compliance with funder and university policies, data preservation, and archiving.
Tableau I – Introduction
Wednesday, October 9, 2019, 10:00am – 11:30am
Participants will use Tableau Public to create interactive data visualizations. The workshop will cover an overview of the program and provide hands-on experience creating basic charts and maps, as well as creating interactive web-based visualization dashboards. It will also discuss publishing to the Tableau Public web server.
Tableau II – Calculations and analytics
Wednesday, October 16, 2019, 10:00am – 11:30am
Participants will use more advanced features in Tableau to manage data, such as join, union and edit data. Participants will also use calculations and parameters to make views more interactive. It will cover analytics to help spot trends and forecast data. Taking Tableau I prior to this workshop is strongly encouraged.
Selecting Journals for Publishing Your Research
Wednesday, October 23, 2019, 10:00am – 11:30am
This hands-on workshop discusses factors that could influence your choice of journals for academic publishing, including journal impact, publish frequency, review process, and other factors. Participants will leave the workshop with resources, handy tools, and strategies for making good choice for publishing your research.
Tableau III – Logical functions and customize dashboard
Wednesday, October 30, 2019, 10:00am – 11:30am
Participants will learn to use logical functions to determine if certain condition is true or false. The workshop will also cover building customized dashboard to make your visualization more appealing. Taking Tableau I and Tableau II prior to this workshop is strongly encouraged.
Introduction to R for Absolute Beginners
Thursday, November 7, 2019, 10:00am – 12:00pm
R is an open source software for statistical computing and graphics. This workshop is for people who want to begin to learn this powerful analysis tool but have little or no experience in any programming languages. The first half of this 2-hour workshop will focus on some basic concepts of coding and the second half will feature hands-on activities to learn basic R skills, such as installing R packages, importing files, and exploring data. Some troubleshooting tips and R resources will also be provided.
Data Archiving and Sharing
Wednesday, November 13, 2019, 10:00am – 11:30am
Increasingly research funders and academic publishers request or require that we share a portion of our data. This workshop covers a spectrum of sharing and archiving options, discusses considerations for choosing an option, and presents tips and tricks for preparing data for sharing and archiving. The content will be focused on a broad understanding relevant for researchers of all disciplines and at all stages of their academic career.
Update 9/17/19: Due to the tropical storm and weather forecast for tomorrow, Poetry & Prose has been rescheduled for October 16.
The 2019-2020 season of Poetry and Prose kicks off October 16, featuring new graduate students in the University of Houston Creative Writing Program. The long-running reading series, highlighting the work of UH faculty, students, alumni and other well-known writers, takes place in the Honors College Commons, MD Anderson Library at 5:30 p.m., and is free and open to the public.
Readers for October 16:
Erik Brown (MFA Poetry) received a BA in English and Creative Writing at University of Wisconsin-Madison. Erik comes to Houston from a seven-year career in fundraising and has helped raise millions of dollars for research into psychedelic-assisted therapies.
Christopher Miguel Flakus (MFA Poetry) has published work in The Huffington Post, Akashic Books: Mondays are Murder Noir Series, Indietronica, Outlaw Poetry, Glass Mountain Magazine, In Recovery Magazine, Glass Poetry, Black Heart Magazine, and elsewhere. In 2017 he was awarded the Fabian Worsham Prize for fiction. He is the author of the chapbooks Bear Down Into Hell With Me (As Only a True Friend Would), and Thirst, and Other Poems through Iron Lung Press, as well as the chapbooks Christiana, and Dialogos: Mexico City Poems from Analog Submission Press. He is the co-editor of Defunkt Magazine, a literary magazine focused on outsider writing and art. Christopher grew up in Mexico City and writes in both English and Spanish.
Joshua Steven Gregory (MFA Poetry) was born in Philadelphia, PA and is from southern New Jersey and Vermont. He has been awarded scholarships from the Colgate Writers’ Conference and the Fine Arts Work Center in Provincetown, MA for his work. He is also a recent graduate of Harvard Divinity School where he studied religion and ethics and practiced healthcare chaplaincy. He currently serves as Editor-at-Large for Peripheries Journal based out of the Center for the Study of World Religions (CSWR) at Harvard. Most recently, his poems have appeared in the Colorado Review and Denver Quarterly.
Gabriella Adriana Iacono (MFA Poetry) grew up in Staten Island, New York, where she earned her BA in English Literature and Creative Writing from the College of Staten Island CUNY. She has worked in public education since 2014, and has served as an editor for NYSAI Press. Iacono is currently working on her first collection of poems.
Dan Kennedy (PhD Fiction) holds an MFA from Virginia Tech, where he won the Emily Morrison Prize in fiction. He grew up in rural Pennsylvania and graduated from Boston University with a BA in English; he was also a member of BU’s Division 1 wrestling team. His stories have appeared in BULL, Ghost Parachute, and Typehouse Literary Magazine. He’s currently at work on his first novel.
Aris Kian (MFA Poetry) is an inaugural member of CoogSlam, the 4th in the nation collegiate slam team. She has work published in Underground Journal. She was a blogger for AfroVibes Media and co-hosted poetry workshops for Writers in the Schools. She has been a featured reader for Write About Now Poetry (w/ CoogSlam), The Vibe Experience, and Glass Mountain.
Katie Milligan (MFA Fiction) grew up in Maine and earned her BA in English and Psychology from Dartmouth College. She has recently lived in Boston and New Hampshire, where she worked by day on the health innovation team at an HR consultancy and by night/weekend as a fiction student at GrubStreet, a Boston writing center.
Kaitlin Rizzo (MFA Poetry) prefers her cities underwater. After being raised in the hurricane lands of Florida, she now lives in Houston where she is a first year MFA in poetry. Three years after writing her first poem about the painter Artemisia Gentileschi, she is still happily obsessed and is now at work on her first collection of poetry about Gentileschi’s life.
giovanni singleton (PhD Poetry) holds an MFA from the New College of California and is the author of Ascension (Counterpath Press, 2011), which won the California Book Award Gold Medal, and of the poetry/art collection AMERICAN LETTERS: works on paper (Canarium Books, 2018). She received the African American Literature and Culture Society’s 2018 Stephen E. Henderson Award for literary achievement and served as the 2017-18 Holloway Lecturer in Poetry and Poetics at the University of California, Berkeley. Her work has appeared in Poem-a-Day, Poetry, What I Say: Innovative Poetry by Black Writers in America, Best American Experimental Writing, Angles of Ascent: A Norton Anthology, The Ecopoetry Anthology, and elsewhere. Her writing has also been exhibited in the Smithsonian Institute’s American Jazz Museum and on the building of Yerba Buena Center for the Arts. She is founding editor of nocturnes (re)view of the literary arts, a journal dedicated to experimental work of the African Diaspora and other contested spaces.
Daniel Tompkins (MFA Poetry) is a poet and writer originally from Virginia. His work has appeared in Rattle, Chaleur, Twyckenham Notes, and The Visible Poetry Project, and his first Chapbook, You Are No Phoenix, You Are Merely Aflame, is set to be published by Finishing Line Press.
University of Houston Libraries will host a series of open educational resources (OER) discussion group meetings for faculty. Meetings will be held from 12 pm – 1 pm in the MD Anderson Library Training Room 10-G (basement level) on the following dates:
- Friday, September 27
- Friday, October 18
- Friday, November 15
Snacks will be provided, and attendees are welcome to bring lunch. Sign up here. Walk-ins are welcome.
University of Houston Libraries Special Collections hosted a class conversation with Judy Reeves from the Gulf Coast Archive and Museum of GLBT History (GCAM) this week. Reeves is a founding member and current curator of GCAM. She is a longtime activist in the community, having devoted many hours to organizations such as Pride Houston, Resurrection Metropolitan Community Church, and the Houston GLBT Caucus.
Assistant professor Leandra Zarnow of the UH department of History led her class, “Issues in Feminist Research: Into the Archives,” in a lively talk with Reeves and Vince Lee, archivist of the LGBT History Research Collection at UH Special Collections.
The GCAM Digital Archive is available online at the UH Digital Library. More than 30 years of Houston LGBTQ history is preserved and presented in this digital collection which contains over 100 LGBT newspaper issues from central Texas, the Dallas/Fort Worth area, and other Texas regions, from the 1970s through the early 2000s.
The William R. Jenkins Architecture, Design, and Art Library is pleased to announce its fall schedule of pop-up libraries, in partnership with First Friday Studio Sessions at Blaffer Art Museum.
The program features a series of pop-up libraries with curated art books available for check-out and museum catalogs for sale. Refreshments and light snacks will be provided.
- August 30 | 10am-12pm
- September 6 | 10am-12pm
- October 4 | 10am-12pm
- October 10 | 4-6pm
- November 1 | 10am-12pm
- December 6 | 10am-12pm
“I thought I’d print 500 copies and they’d live in my closet,” said Taylor Davis-Van Atta of the first volume of Music & Literature. “Maybe I would do five issues if I was lucky.”
Word got around. The journal, produced by the nonprofit Music & Literature, Inc. and celebrating the oeuvres of international writers, artists, and musicians, has released nine issues to date, with its tenth and eleventh volumes in the works. What began as a labor of love by a curious and motivated individual has evolved to an esteemed, distinctive literary publication that is distributed to over 70 US bookstores and subscribed to by nearly 50 academic and public libraries; with contributors spanning six continents, over 45 countries, and working in 25 languages.
Davis-Van Atta, digital scholarship coordinator at University of Houston Libraries, was pleasantly surprised by the reception of the journal in 2013, which grew from his personal interest in artists not well-known in the US. He is publisher and co-editor of Music & Literature, which originated from research, and tons of it.
“In the early days before we had any staff and it was just me, I would look into what had been written in other languages about an artist I was interested in,” he said. “I’d reach out to the artist and tell them I wanted to curate a substantial portfolio of work about their career to date, and make it available to English-speaking readers.”
Davis-Van Atta provided the artist with a sense of the goal of the journal, and realistic expectations of the project, not the least of which is that publication does not necessarily equal widespread fame, although the journal has been successful in terms of gaining the interest of other editors and publishers. With an understanding of the commitment involved, the artists whom he has contacted have been enthusiastic and generous with their time and effort.
Each print issue of Music & Literature is devoted to the portfolios of artists whose work, for various reasons, had yet to reach an English-speaking audience. The editorial team works with artists to select pieces of their work, and translators are hired. The portfolios are assembled with varied perspectives on the artists’ work, and aims to be as comprehensive as possible. Many of Music & Literature’s featured artists have been working for over 30 years.
The most recent issue features Swiss-German writer Peter Bichsel and Canadian poet Sylvia Legris, two radically different artists who share no interest in self-promotion but have achieved a cult following in their regions of the globe.
“We seek out those artists who are truly deserving of being globally known,” said Davis-Van Atta, noting both the challenge of being introduced to a new language as an artist, and the value of encountering global voices.
Now with a staff of seven and fluency in eight languages, the editors of Music & Literature rely on a network of readers, other editors, and cultural attachés in underrepresented parts of the world who have a strong sense of the art that’s being produced in various languages. The lifecycle of a portfolio, from recommendation to publication, takes around two years, including selection of work, securing rights and permissions, and finding available translators.
Crossing language barriers is a time-consuming but necessary endeavor, said Davis-Van Atta. “It’s a big investment from a lot of people, and it definitely takes time to find what we think are the best pieces and what will resonate with English readers. [The artists] are coming from a completely different set of contexts than those we might be used to, so we want to find pieces that make sense and generate interest. There’s no built-in audience for this.”
Issue 10 of Music & Literature will feature poet and artist Renee Gladman, and improvisational pianist Craig Taborn. Davis-Van Atta and the editorial team have found a compelling way to represent the work of musicians on the printed page, by enlisting a well-known music journalist to conduct an interview with the artist for a retrospective, as well as soliciting comments from those with whom the artist has collaborated.
“We get funny, bizarre, personalized stories, and so there’s a real human perspective with those types of interviews,” said Davis-Van Atta. “It’s not just the arts and the work that we’re able to draw attention to, but we’re interested in conveying a sense of intimacy and communion with that work. We really love the thrill of working with that world.”
Music & Literature, Inc., is a nonprofit organization devoted to publishing and promoting the work of underrepresented artists from around the world. Each print issue of Music & Literature assembles an international cast of writers and critics in celebration of three featured artists whose work has yet to reach its deserved audience. In addition to its flagship publication, Music & Literature offers robust coverage of the arts through its website and organizes premier live programming in cities around the globe, routinely collaborating with other cultural organizations and institutions to bring the work of its featured artists directly to audiences. The Music & Literature project is designed to meet the immediate needs of modern arts enthusiasts while enduring and becoming a permanent resource for future generations of readers, scholars, and artists.
Two rare book exhibits are now on display at the William R. Jenkins Architecture, Design and Art Library.
On the first floor, a collection of books and magazines featuring artists and works from the Maeght Foundation can be found at the south wing exhibit case. The Maeght Foundation is one of France’s renowned art institutions. Their artists include stars such as Miro and Giacometti.
Also on view in the upper mezzanine area are four collotypes of draped models from a 1902 book titled Draperies in Action by Charles Schnek.
Contact Catherine Essinger for an appointment.