University of Houston Libraries is pleased to announce receipt of the personal papers of noted Houston artist Dorothy Hood and her husband, José María Velasco Maidana from the Art Museum of South Texas (AMST). Located in Corpus Christi and affiliated with Texas A&M University-Corpus Christi, AMST advances the awareness, knowledge, appreciation and enjoyment of the visual arts for the residents and visitors of South Texas. The archives will be cataloged, preserved, digitized, and made available to students, scholars, and the public through UH Special Collections.
Hood (1918 – 2000) was a Texas painter best known for her Modernist works. Velasco Maidana (1899-1989), was a Bolivian composer and filmmaker. Donated materials include personal papers, correspondence, scrapbooks, photographs, journals, catalogs, artifacts, audio/video recordings, and ephemera documenting the lives and careers of the two artists. AMST acquired a major collection of Hood’s works in 2001, along with the personal papers of Hood and Velasco Maidana.
Christian Kelleher, head of Special Collections, noted, “UH Libraries is excited to join in the efforts of AMST and other leaders in the arts community to preserve and promote the international legacies of Dorothy Hood and Velasco Maidana. These archives are unique primary source documentation of two remarkable, creative people, and will provide new insights into their works, careers, and lives.”
Sara Morgan, interim director of AMST, reflected on the significance of Hood’s contributions to the arts. “Dorothy Hood was a Texas artist who lived an exploratory life that took her from her birth city of Bryan, Texas, to Houston, Providence, Rhode Island, New York City, Mexico City and eventually back to Texas where she resettled in Houston,” Morgan said. “Her work, much like her life, abandoned conventionality and explored big themes such as space, presence, spirituality, emotion and color. Hood was considered the sole female representative of the artist pack that commanded Houston’s art scene in the 1960s and 1970s. We feel it is fitting that her treasury of papers return to the city that embraced her art and her talent.”
The Dorothy Hood Papers and the José María Velasco Maidana Papers will be cataloged as Collections of the Art Museum of South Texas and the University of Houston Libraries. “AMST is pleased to partner with UH Libraries on the Dorothy Hood Papers,” Morgan said. “This collaboration will provide an opportunity for Hood’s archival materials to be fully examined, leading to a greater understanding of the artist, modernist, teacher and woman over her prolific career. Accessible information will provide expanded research opportunities and will ultimately further the recognition of Hood’s art.”
“University of Houston Libraries is honored to receive the Dorothy Hood Papers and José María Velasco Maidana Papers,” said dean of UH Libraries Lisa German. “Telling Dorothy Hood’s story will be a privilege and we are very grateful to the Art Museum of South Texas, its Board and interim director, and to its former director Joe Schenk for making this possible.”
The McClain Gallery in Houston will host a solo exhibition featuring paintings, drawings and collages of Dorothy Hood from October 12 through December 21, 2019. A selection of documents from the archives will also be on display. The opening reception will be held on October 12 from 2 – 4 p.m.
The collection is currently being processed. For questions about materials in this collection or to request access, contact Christian Kelleher.
This week, visitors to the University of Houston MD Anderson Library will notice a suite of 40 banners displayed in the atrium. The Banner Project, created by Houston activist Sara Fernandez, is a pop-up exhibit featuring pivotal points in Houston’s LGBT history from the 1930s to present day.
2019 marks the fourth year that UH Libraries has partnered with Fernandez to host the banners. Three new additions include Marvin Davis & Don Gill: Fundraising for the Aids Community (1987), Juan Palomo: Bridging Communities (1990), and Maria Gonzalez: Scholar Activist (1991), bringing the total banner count to 46.
“We are hoping that the visuals from the banners will generate discussion, reflection, and awareness across campus and in the community,” said Vince Lee, UH Special Collections archivist.
The Banner Project will be on display in conjunction with October 11, which is National Coming Out Day, and will remain through the end of the month. Staff from Special Collections and representatives from the Banner Project will be available with information on the LGBT History Research Collection, as well as resources from the UH LGBTQ Resource Center, on October 11 from 11 a.m to 5 p.m. in the MD Anderson Library atrium.
During the week of October 7 – 11, University of Houston Libraries joins Texas Library Association (TLA) in its campaign to celebrate the numerous ways that libraries are transforming Texas.
Follow UH Libraries on Twitter @UHoustonLib to learn more.
University of Houston Libraries, in collaboration with the UH Office of the Provost, is pleased to announce the 2019-2020 recipient cohort of the UH Alternative Textbook Incentive Program (ATIP).
UH instructors applied for an award ranging from $500 to $2500 that would go toward implementation of an open or alternative textbook in a summer 2019, fall 2019, or spring 2020 course. Awards were granted based on projected cost savings for students; the type of project; and feasibility of the successful implementation of the proposal.
2019 – 2020 ATIP winners are:
Education: Eulises Avellaneda
CUIN 3310: Bilingual Education
Social Work: Nicole Bromfield
SOCW 7397: Perspectives on Human Trafficking: Domestic and Global
HRM: Simone Doudna
HRMA 4354: Advanced Hospitality Operations
Business: Emese Felvegi
MIS 3300: Introduction to Computer and Management Information Systems
CLASS: Layci Harrison, Mark Knoblauch, Josh Yellen
ATP 6301/6101: Anatomical Basis of Athletic Injury Lecture & Lab
Education: Kristen Hassett
SPEC 3360: Individuals with Disabilities
NSM: Daniel Hauptvogel, Jinny Sisson
GEOL 1176: Historical Geology Lab
Technology: Mary E. Henderson
SCLT 4387: Financial Evaluation for Supply Chain
HRM: Nathan Jarvis, Chris Taylor, Scott Taylor, Kevin Simon
HRMA 3336: Beverage Management
CLASS: Melody Yunzi Li, Jingyuan Fu
CHNS 3344: Global Chinese Literature
CLASS: Melissa Markofski
KIN 4370: Exercise Testing
Engineering: David Mayerich
ECE 6397: Parallel Algorithsm for GPUs and Heterogeneous Systems
CLASS: Katherine Anne McElvaney
ANTH 2301: Introduction to Physical Anthropology
CLASS: Kelly Moore
ILAS 3350: Power Writing
CLASS: Grete Norquist
ENGL 1304: First Year Writing II
CLASS: Phillip Presswood
ENGL 1303: First Year Writing I
HRM: Arlene Ramirez, Agnes DeFranco
HRMA 3341: Hospitality Managerial Accounting
NSM: Nouhad Rizk
COSC 4335/3337: Data Science
CLASS: Maria Elena Soliño
SPAN 3386: Screen Memories: Spanish Culture Through Film
NSM: Jiajia Sun
GEOL 7330: Potential Field Methods of Geophysical Exploration
HRM: Scott Taylor Jr.
HRMA 3343: Hospitality Cost Controls
Education: Laura Turchi, Jane Cooper
EDUC 3301: Introduction to Teaching
CUIN 3321: Introduction to Teaching Middle Grades
CUIN 6301: The Teaching Profession
NSM: Anna Vershynina
MATH 6397: Special Topics: Quantum Computation
Now in its second year, ATIP is part of the University’s initiative to improve students’ academic experience by mitigating the high cost of textbooks. Faculty members are incentivized to replace required traditional textbook(s) in their course with adoption, adaptation, or creation of an open textbook, or assembly of freely available or library sponsored resources. Projected savings for students in the first year of implementing alternative textbooks in these courses is $757,380.48, benefiting an estimated 5,773 students.
An exhibit at University of Houston Libraries Special Collections features selections from the New Music America Collection. Materials document New Music America (NMA) festivals, which began as “New Music New York” in 1979 and were produced annually by the New Music Alliance in cities across North America from 1980-1990. A large part of the collection focuses on the 1986 NMA in Houston, and was donated by Michael Galbreth, part of the duo known as The Art Guys whose records also reside at UH Special Collections.
Courtney Tutt, a graduate student at the University of North Texas, collaborated with Mary Manning, university archivist and curator of the Performing and Visual Arts Research Collection; Joseph Lueck, coordinator of archival processing; and Bethany Scott, coordinator of digital projects, to process the physical and digital files of the NMA Collection. Tutt is pursuing a Master of Library and Information Science (MLIS) degree with a focus on archives and imaging technology. Her work at UH Special Collections fulfilled a practicum requirement and a desire to earn experience in the field.
Among Tutt’s project tasks was the selection of items for an exhibit, now on display at the MD Anderson Library second floor near Special Collections.
“I have been fortunate to work on this compelling project which is both fascinating and relevant to the cultural identity of Houston,” Tutt said. “One of the many interesting things I learned from this collection was the festival’s opening day featured the world premiere of John Cage’s Ryoanji concurrently with the opening of MFAH’s Lillie and Hugh Roy Cullen Sculpture Garden. A parade was held before the performance on Montrose Boulevard with art cars and performers celebrating the kick-off of the festival. This was the very first Art Car Parade in Houston.”
The collection is open for research in the Special Collections reading room.
The Fo Guang Shan Chung Mei Temple donated copies of the Encyclopedia of Buddhist Arts and the Fo Guang Dictionary of Buddhism-Revised Edition, published by the Fo Guang Shan Monastery in Taiwan, to University of Houston Libraries. The donation was facilitated by Mrs. Lydia Chao, Dr. Paul Chu, and Susan Butler.
After a reception held at the MD Anderson Library Elizabeth D. Rockwell Pavilion, the guests received a tour of UH Special Collections Rare Books Collections.
A new acquisition at University of Houston Libraries Special Collections features exhibition announcements, posters, photographs, 35mm slides, artist correspondence, ephemera, and video documenting exhibitions and programs presented by the Lawndale Art and Performance Center.
From its beginning as a gallery space for UH Department of Art graduate students, Lawndale Art Center’s long history of supporting national and local visual and performance artists is represented by nearly 50 linear feet of archives. The collection covers Lawndale from the 1970s to present day, revealing the dynamism of the Houston contemporary and experimental art scene.
Executive director Stephanie Mitchell and assistant director Lauren Lohman were inspired to donate the Lawndale Art Center records to UH Special Collections. “Lawndale had its beginning with the University of Houston, so there is already a special and historic connection between the organizations,” they said. “As the archive has grown we recognize that UH is in a much better position than Lawndale to assure that the archives will be properly preserved, maintained, and made accessible to researchers. We believe that this collaboration will benefit both Lawndale and the community.”
“The list of artists, exhibitions, and performances in the inventory of the Lawndale Art and Performance Center Records is a testament to the decades of impact that Lawndale has had on Houston’s arts community,” said Christian Kelleher, head of UH Special Collections and curator of visual arts collections. “We are so pleased to help make this great resource available for students, scholars, and the public.”
The collection is currently being processed at UH Special Collections. For questions about materials in this collection or to request access, contact Christian Kelleher.
A new online exhibit and oral history from UH Special Collections features William W. Sherrill, Chairman Emeritus of the Wolff Center for Entrepreneurship.
The William W. Sherrill Papers consist of awards, photos, newspaper clippings, correspondence, financial materials, and books relevant to Sherrill’s experiences as a Marine, University of Houston student, entrepreneur, civil servant, and professor.
University of Houston Libraries has its own custom PubMed URL. PubMed comprises more than 25 million citations for biomedical literature from MEDLINE, life science journals, and online books. Many citations include links to full-text content from PubMed Central and other open-access providers, as well as the thousands of journals to which UH Libraries subscribes.
The UH Libraries PubMed URL is the best way for UH faculty and researchers to access full text articles in the health sciences quickly.
Step-by-step instructions for accessing PubMed are available at this research guide to library resources for faculty in the health sciences (click Accessing Full Text Articles on the left).
Short video: Accessing full text articles through PubMed
University of Houston Libraries Special Collections will preserve and make available stories, interviews, and other digital documentation produced through the community project Tejas Got Soul: Early Chicano Sounds in Houston’s East End.
Tejas Got Soul was created by musicians and scholars Nick Gaitan and Isaac Rodriguez to recognize and celebrate 1950s-70s Tejano soul in Houston. Through the project, Gaitan and Rodriguez have conducted oral histories with musicians of the era, making an important contribution to the limited documentation of this fascinating piece of Houston’s culture and musical history.
“Houston’s place in the origins and cultivation in many genres of music is a somewhat hidden gem when it comes to very important figures and recordings,” Gaitan said. “Tejano music’s roots are no different. This tells a story of its own. Musical lines are always crossed and we hear the influences coming from all directions. Listeners and fans of Tejano music, Chicano music, or other flavors that Mexican-Americans and Latinos are listening to and influenced learn that lots of these great bands writing and performing in the late 50s and early 60s were largely influenced by soul music. It’s amazing how many of these aspects of this rich history are connected. Houston is just that type of place.”
“The late 1950s, 60s, and 70s were a great time in Houston for Chicano music,” Rodriguez said. “Bands like The Rock’n Vee’s, The Exiles, and Rocky Gil & The Bishops were playing R&B and soul music but were unknowingly planting the seeds of La Onda Chicana, the sound that we know today as Tejano music. Many of these groups were no longer playing by the time Tejano music was at its peak in the 80s and 90s and did not get the recognition they deserve as pioneers within the genre in Houston. After years of collecting records, hearing stories of the music and dances from my parents, I began to make contact with several of the musicians from the era, like Oscar Villanueva, to get their personal story of what it was like to be playing music at the time. Tejas Got Soul was formed to fill the generation gap and shine the spotlight on the artists, sound and era — which I would consider to be the golden era of Chicano music in Houston.”
The project will culminate in an April 6 public event at Morales Radio Hall, the previous home of KLVL, the first bilingual radio station in Houston. In addition to live performances from Houston-based acts, the event will offer attendees the opportunity to help build a living archive by sharing stories related to Houston’s early Tejano soul era. Dr. Jesus Jesse Esparza of Texas Southern University will lead a storytelling booth, and Houston Public Library’s Memory Lab will host a scanning station for community documentation activities during the event.
The digital files of the oral histories conducted by Gaitan and Rodriguez through the project as well as those created at the event will be added to the archives of the Tejas Got Soul project, and will be preserved and made available to researchers, the public, and the community at UH Libraries Special Collections.
For more information, visit the Tejas Got Soul Facebook page.