What didn’t tall Texan Tommy Tune accomplish in the performing and visual arts world?

The Tommy Tune Collection at UH Libraries

Students and scholars will be able to explore that question and much more with the acquisition of a wonderful new collection at University of Houston Libraries that preserves and celebrates the legacy of the prolific dancer/singer/director/choreographer.

Thomas James Tune was born in Wichita Falls and grew up in Houston where he attended Lamar High School. After graduating from University of Texas at Austin, the 6 foot 6 tap dancer began graduate studies in directing at University of Houston, but soon left Texas for New York City, where his career launched from day one. In 1965, Tune made his Broadway debut in the production of Baker Street, followed by A Joyful Noise (1966) and How Now, Dow Jones (1967). 

Tune is the recipient of 10 Tony Awards, including the 2015 Tony for Life Achievement in the Theatre. He is the only star in theatrical history to win in four categories, and the only person to win the same Tony Awards two years in a row. Tune also received The National Medal of Arts, the highest honor for artistic achievement given by the president of the United States. He was honored with a star on the Hollywood Walk of Fame in 1993.

And those accolades only scratch the surface. Tune’s illustrious performing arts career comes alive in the massive collection, which currently boasts nearly 100 linear feet of materials, and will grow even more with a forthcoming second shipment from New York City. 

Tommy Tune and his sister, Gracey Tune, generously gifted the first set of items to University of Houston. Gracey Tune is the founder and artistic director of Arts Fifth Avenue in Fort Worth, where much of the collection was housed. 

“The Tune family is so thankful and thrilled to have the Tommy Tune Collection at University of Houston,” said Gracey Tune. “We appreciate each individual embracing this big project. It began when we contacted Hillary Hart at TUTS; she was excited and contacted Mary Manning…the rest is history. We are Houstonians – we love Houston and UH.”

The acquisition was facilitated by Mary Manning, university archivist, together with Christian Kelleher, head of UH Special Collections. Manning sees a host of opportunities for how the Tommy Tune Collection can advance academic and scholarly productivity. “The Tommy Tune Collection is a significant contribution to the study of theatre history, particularly musical theatre,” she said. “Tommy Tune is not only a talented singer, actor, and dancer, but also a celebrated director, producer, and choreographer; his archives will be enlightening to scholars and performers researching any of these fields. The collection will provide insight into Tune’s creative processes and provide cultural context for the plays he directed and performed in; it can serve as a source for reconstructing the plays and performances, inspiring and providing material for musical theatre students and professionals.”

Bit by meticulous bit, Katy Allred, assistant university archivist, will survey each item in the collection, which includes costumes, scripts, production and publicity photos, newspaper articles, posters, paintings, scrapbooks, correspondence, sheet music, playbills, drawings, souvenir books, production documents, and awards and honors.

Archival materials often arrive at UH Special Collections (located on MD Anderson Library floor 2) in containers such as plastic tubs or cardboard boxes. Items might have binders, such as rubber bands that can harden and stick, or fasteners that can rust. Part of the job of an archivist like Allred is to go through the entire collection, identify preservation concerns, and intervene. This process will bring to light the condition of each item, which will inform preservation in archival enclosures, such as how to store Tune’s dazzling sartorial pieces. “This collection is really interesting because it comes with a lot of textiles,” Allred noted. “We don’t usually get collections with a lot of costumes. The challenge of preserving hats, shoes, and coats will be a new thing to learn.”  

Allred will gain a sense of how to arrange the collection into series for the finding aid that will be published online. The finding aid is a tool researchers can use to browse collections, identify the boxes they’d like to explore, and contact UH Special Collections with their request. The collection will be of particular interest to UH students, faculty, and researchers seeking primary source materials on Tommy Tune’s life and career, including documentary filmmakers, biographers, dance historians, musical theatre performers, directors, producers, and choreographers.

Surveying a collection of this magnitude takes time. Allred is early yet in the process, but already, compelling themes and stories are emerging from the materials. “What I can tell so far is that Tommy Tune is a Renaissance man of the theatre,” she said. “He sang, danced, acted, produced, directed, and choreographed shows on Broadway, off-Broadway, touring shows, and countless other productions. He was constantly working on something; often on several projects at once! I am a huge fan of musical theatre, so this is such an exciting opportunity. I know how important and inspirational Tommy Tune has been for so many aspiring performers in my own life; people from the South who looked up to him as someone like them who made it. I can’t wait to make this collection available and accessible to everyone.”

UH Libraries thanks Tommy Tune, Peter Glebo, and Gracey Tune for their incredible generosity and collaboration on this impactful gift. The Tommy Tune Collection’s journey to UH was facilitated by a collective effort. UH Libraries recognizes and thanks the following individuals for their integral role in bringing this collection to the University: 

• Hillary Hart, executive director, Theatre Under The Stars (The TUTS Tommy Tune Awards event was held on Friday, June 6, honoring high school musical theatre in Houston.)
• Andrew Davis, PhD, dean, Kathrine G. McGovern College of the Arts
• Megan Topham, PhD, associate dean of operations, Kathrine G. McGovern College of the Arts

“The Tommy Tune Collection is a transformative addition to both our University Archives and our Visual and Performing Arts collections,” said Lauren Gottlieb-Miller, associate dean for special libraries and preservation. “This gift ensures that students, researchers, and artists for generations to come will have a direct connection to one of the great creative forces of American theatre. We are honored to steward Tommy Tune’s legacy in the city and University that helped shape him.” 

This collection is being processed and is not yet available for viewing. For more information, contact Mary Manning.