A new exhibit at University of Houston Libraries features local primary sources curated from the LGBT History Research Collection.

“We the People: Exploring the American Experience through the UH Libraries LGBT History Research Collection” illuminates lived experiences represented by photos, handwritten letters, artwork, newspaper clippings, clothing, and ephemera. Presented with support from The Hollyfield Foundation, the exhibit offers visitors a unique opportunity to experience deeply individual yet publicly resonant perspectives from the 1940s to 2000s.

Artwork and a photo from the Pat Gustavson and Mignon Weisinger Papers

After thoughtful research and planning, archivist Joyce Gabiola selected rare, one-of-a-kind materials documenting extraordinary moments and milieus in Houston and LGBT history. 

“As a UH alum and professional archivist who grew up in Houston, it’s an honor and privilege to have developed the exhibit for the UH community and public,” Gabiola said. “It’s also personally meaningful. One of my favorite parts of the exhibit is the inclusion of recent UH graduates’ affective engagement with materials in the collection, which represent academic and creative possibilities of archival research.”

Some of the collections featured in the exhibit are the Botts Collection of LGBT History, Diana Foundation Records, Arden Eversmeyer Papers, Fundación Latinoamericana de Acción Social Records, Gulf Coast Archive and Museum of GLBT History, and PFLAG Houston Records.

Photo from the JD Doyle Archives; correspondence from the Arden Eversmeyer Papers

UH Libraries has one of the most significant LGBTQ research collections in the country, built through decades of scholarly collaboration with members of the local community,” said Christian Kelleher, director of exhibitions and external relations. “While the exhibit only has room for a small sampling of materials from the extensive collections, it captures a sense of the personal and public, the civic, social and cultural historical primary sources represented in the archives.”

Curatorial assistant Lysandra Cruz stated that materials from the C. Patrick McIlvain Papers were especially notable for her. “It was a physical showcase of the kinds of emotions a person could go through,” Cruz said. Connected to Special Collections for a capstone course, she was motivated despite limited prior experience with physical primary sources. “What brought me to do this archival work was my want to learn more and experience a part of history that I felt also belonged to me,” she said.

Any UH student scholar, or member of the public who may be interested in exploring research collections can start with a finding aid search and connect with UH librarians and archivists who oversee the collections. 

“We the People” is on view through December 2026 and is located at MD Anderson Library floor 1. For more information or to discuss possible instruction opportunities connected to the exhibit, contact Joyce Gabiola.

Recently, University of Houston Libraries hosted an opening reception for the new exhibit “Black Ink: The Black Arts Movement in Print.” Rare Books curator Julie Grob selected materials from UH Special Collections’ significant holdings of poetry and other writing published during the Black Arts Movement period of the 1960s and 70s. A few of the writers featured are Amiri Baraka, Toni Cade Bambara, Gwendolyn Brooks, Nikki Giovanni, and Ntozake Shange. The exhibit also includes examples from the Black-owned publishers Broadside Press of Detroit and the Third World Press of Chicago.

The community engagement event held at the Elizabeth D. Rockwell Pavilion included poetry readings from three graduate students in the UH Creative Writing Program. Abby Mengesha, Anthony Sutton, and El Williams III shared poetry from writers of the Black Arts Movement along with their own works.

Sutton wrote the following introduction to the exhibit:

This mid-twentieth century movement in literature, music, and art coincided with cultural shifts in the post-World War Two United States, including the Civil Rights movement and the Cold War. Through the Black Arts Movement, experimental literary sensibilities emerging at the time met the politics of the Black Panthers.

While some members of this grouping, such as Lorraine Hansberry, Amiri Baraka, and Gwendolyn Brooks, achieved mainstream recognition, this movement largely made use of underground and alternative venues such as the Black Arts Repertory Theater and School in Harlem for works to be performed. Print materials from the Black Arts Movement show the DIY publishing possible with a machine called the mimeograph which allowed the production of large volumes of magazines and books quickly and affordably.

The Black Arts Movement was also a nation-wide movement with not only New York City being a hotspot but also significant publishing activity in the Midwest with Broadside Press in Detroit and Third World Press in Chicago. In 2025 Third World Press received the Toni Morrison Achievement Award from the National Book Critics Circle. The Black Arts Movement eventually reached Houston through Lorenzo Thomas who served as Writer-in-Residence at Texas Southern University and later as faculty at UH-Downtown.

Visitors are invited to experience the exhibit, located at MD Anderson Library floor 2, through May 2026.

Two new exhibits featuring selections from the Carey Shuart Women’s Research Collection open in September at University of Houston Libraries. 

Houston Comets Memorabilia Collection

Nevertheless, She Persisted! Women as Historic Influencers will be viewable on MD Anderson Library Floor 2, while Leagues of Their Own: Representing 60 Years of Women’s Athletics Achievement will be on display on Floor 1. 

Claire Keck, graduate assistant curator for the Carey Shuart Women’s Research Collection, selected materials for Nevertheless, She Persisted! depicting influential women in the Houston region who effected changes in society, politics, and artistic expression. 

The process of curating an exhibit involves exploration of what Special Collections preserves through the use of finding aids, and choice of visually appealing items. Selections include a variety of primary source materials, including correspondence, artwork, scrapbooks, photos, certificates, banners, and video footage that illustrate an overarching theme. Keck’s tasks also involve generating social media, designing posters, and helping curate a digital exhibit. 

In choosing materials, Keck’s goal was to engage Gen Z, focusing on historical activism of women’s suffrage and the pro-choice movement, women’s clubs and organizations, women’s art, women of color, and LGBTQ+ women throughout the 20th century.  

Keck encourages other students who are interested in working with archival material to visit exhibits wherever possible. “Whether that means visiting museums when you can (by the way, Houston museums have a student discount on Thursdays), studying digital exhibits, or looking at the several exhibit cases in the MD Anderson Library, you will continue to learn from all of them and gain a greater understanding of history and the use of archival materials,” Keck said. “Be sure you like to work with old things and that you like to read.” 

Stephen F. Austin High School Scottish Brigade

Leagues of Their Own features archives from two collections within the Shuart Women’s Research Collection. Vince Lee, archivist for the Shuart Women’s Research Collection, curated items representing the Stephen F. Austin High School Scottish Brigade, which, founded in 1937, promoted scholarship, discipline, respect, leadership, social skills, and fitness at a time when girls’ sports teams were rare or nonexistent. James Burke, PhD student in US History, selected items from the Houston Comets Memorabilia Collection. The Comets, founded in 1997, set the standard for excellence in the early years of the WNBA and paved the way for future generations of players. 

“These exhibits are components of a year-long engagement generously supported by Carey C. Shuart to promote our research collections which preserve the histories of women’s clubs and organizations in the Houston area,” said Lauren Gottlieb-Miller, associate dean for Special Libraries and Preservation. “In spring 2025, we look forward to hosting a culminating event featuring a multi-generational panel and celebratory program to bring alive the stories related to the materials presented in the exhibits.”

Collaboration among Libraries departments is essential for successful exhibit production. These and all UH Libraries exhibits illustrate the collective effort and expertise of teams in Special Collections, Preservation and Reformatting, Resource Management and Metadata, Technology Services, and Administration. UH Libraries thanks Carey C. Shuart for her wonderful support of the Shuart Women’s Research Collection and related exhibits and programming.

Visitors are welcome to view the exhibits during regular building hours between September 6, 2024 and May 31, 2025. Visit Entering MD Anderson Library for details on quick and secure building access.