Recently, University of Houston Libraries hosted an opening reception for the new exhibit “Black Ink: The Black Arts Movement in Print.” Rare Books curator Julie Grob selected materials from UH Special Collections’ significant holdings of poetry and other writing published during the Black Arts Movement period of the 1960s and 70s. A few of the writers featured are Amiri Baraka, Toni Cade Bambara, Gwendolyn Brooks, Nikki Giovanni, and Ntozake Shange. The exhibit also includes examples from the Black-owned publishers Broadside Press of Detroit and the Third World Press of Chicago.

The community engagement event held at the Elizabeth D. Rockwell Pavilion included poetry readings from three graduate students in the UH Creative Writing Program. Abby Mengesha, Anthony Sutton, and El Williams III shared poetry from writers of the Black Arts Movement along with their own works.

Sutton wrote the following introduction to the exhibit:

This mid-twentieth century movement in literature, music, and art coincided with cultural shifts in the post-World War Two United States, including the Civil Rights movement and the Cold War. Through the Black Arts Movement, experimental literary sensibilities emerging at the time met the politics of the Black Panthers.

While some members of this grouping, such as Lorraine Hansberry, Amiri Baraka, and Gwendolyn Brooks, achieved mainstream recognition, this movement largely made use of underground and alternative venues such as the Black Arts Repertory Theater and School in Harlem for works to be performed. Print materials from the Black Arts Movement show the DIY publishing possible with a machine called the mimeograph which allowed the production of large volumes of magazines and books quickly and affordably.

The Black Arts Movement was also a nation-wide movement with not only New York City being a hotspot but also significant publishing activity in the Midwest with Broadside Press in Detroit and Third World Press in Chicago. In 2025 Third World Press received the Toni Morrison Achievement Award from the National Book Critics Circle. The Black Arts Movement eventually reached Houston through Lorenzo Thomas who served as Writer-in-Residence at Texas Southern University and later as faculty at UH-Downtown.

Visitors are invited to experience the exhibit, located at MD Anderson Library floor 2, through May 2026.

Two new exhibits featuring selections from the Carey Shuart Women’s Research Collection open in September at University of Houston Libraries. 

Houston Comets Memorabilia Collection

Nevertheless, She Persisted! Women as Historic Influencers will be viewable on MD Anderson Library Floor 2, while Leagues of Their Own: Representing 60 Years of Women’s Athletics Achievement will be on display on Floor 1. 

Claire Keck, graduate assistant curator for the Carey Shuart Women’s Research Collection, selected materials for Nevertheless, She Persisted! depicting influential women in the Houston region who effected changes in society, politics, and artistic expression. 

The process of curating an exhibit involves exploration of what Special Collections preserves through the use of finding aids, and choice of visually appealing items. Selections include a variety of primary source materials, including correspondence, artwork, scrapbooks, photos, certificates, banners, and video footage that illustrate an overarching theme. Keck’s tasks also involve generating social media, designing posters, and helping curate a digital exhibit. 

In choosing materials, Keck’s goal was to engage Gen Z, focusing on historical activism of women’s suffrage and the pro-choice movement, women’s clubs and organizations, women’s art, women of color, and LGBTQ+ women throughout the 20th century.  

Keck encourages other students who are interested in working with archival material to visit exhibits wherever possible. “Whether that means visiting museums when you can (by the way, Houston museums have a student discount on Thursdays), studying digital exhibits, or looking at the several exhibit cases in the MD Anderson Library, you will continue to learn from all of them and gain a greater understanding of history and the use of archival materials,” Keck said. “Be sure you like to work with old things and that you like to read.” 

Stephen F. Austin High School Scottish Brigade

Leagues of Their Own features archives from two collections within the Shuart Women’s Research Collection. Vince Lee, archivist for the Shuart Women’s Research Collection, curated items representing the Stephen F. Austin High School Scottish Brigade, which, founded in 1937, promoted scholarship, discipline, respect, leadership, social skills, and fitness at a time when girls’ sports teams were rare or nonexistent. James Burke, PhD student in US History, selected items from the Houston Comets Memorabilia Collection. The Comets, founded in 1997, set the standard for excellence in the early years of the WNBA and paved the way for future generations of players. 

“These exhibits are components of a year-long engagement generously supported by Carey C. Shuart to promote our research collections which preserve the histories of women’s clubs and organizations in the Houston area,” said Lauren Gottlieb-Miller, associate dean for Special Libraries and Preservation. “In spring 2025, we look forward to hosting a culminating event featuring a multi-generational panel and celebratory program to bring alive the stories related to the materials presented in the exhibits.”

Collaboration among Libraries departments is essential for successful exhibit production. These and all UH Libraries exhibits illustrate the collective effort and expertise of teams in Special Collections, Preservation and Reformatting, Resource Management and Metadata, Technology Services, and Administration. UH Libraries thanks Carey C. Shuart for her wonderful support of the Shuart Women’s Research Collection and related exhibits and programming.

Visitors are welcome to view the exhibits during regular building hours between September 6, 2024 and May 31, 2025. Visit Entering MD Anderson Library for details on quick and secure building access. 

A student-curated exhibit at University of Houston Libraries features the humanitarian legacy of memorable Houston news personality Marvin Zindler (1921 – 2007).

Undated photo of Marvin Zindler with members of Marvin’s Angels

Marvin’s Angels: A Beacon of Hope in Houston and Beyond was curated by Research for Aspiring Coogs in the Humanities (REACH) scholar Ryan Banda as a visual component of her immersive research project. “This has been a very rewarding experience as it helped to elevate my understanding of what it’s like to work in the archives and the necessary research that goes into curation work,” Banda said.

UH Libraries Special Collections acquired the Marvin Zindler Papers in 2021. Mentored by archivist Vince Lee, Banda discovered objects and files pertaining to Zindler’s storied career in broadcasting by exploring boxes of primary source materials in the archives.

“Prior to working with Special Collections, I had no preconceptions about Marvin Zindler,” Banda said. “I had the opportunity to not only learn about Zindler but to recognize emerging themes that I would want to research.”

One notable theme highlights Zindler’s work through Marvin’s Angels, a group of local business owners and community members who generously provided free aid and specialized services to individuals in pressing need. The efforts of the group reached a global scale. Banda chose to investigate this theme and selected primary source materials providing context and description in support of her research idea. “Archival documents allow the voices of particular individuals and organizations to be recognized within history,” said Banda.

REACH is a year-long introductory research experience for undergraduates in humanities disciplines, and is supported by the Cougar Initiative to Engage and the Office of Undergraduate Research and Major Awards (OURMA). REACH connects students to existing UH humanities projects and allows them to develop research skills through first-hand scholarly inquiry and through participation in OURMA research programming. Banda was one of the REACH participants who presented her findings at Undergraduate Research Day in April 2024.

Banda, an anthropology major, offers this advice to undergrads interested in humanities research: “Have fun with it! Learning about history through primary source materials further connects the researcher and their topic of research, making the work more personalized in a way. [Accessing] history through digital databases and from the work of others is fascinating in itself but getting to handle and utilize physical primary documents is a whole different experience. I recommend everyone give it a try.”

Marvin’s Angels is on display at MD Anderson Library floor one.

University of Houston Libraries Special Collections archivists attended the recent Old, Weird Houston: A Celebration of Our City’s Hidden Histories event to display iconic, regional primary source materials with an unconventional flair. Hosted by Orange Show Center for Visionary Art in collaboration with Archivists of the Houston Area (AHA!) and UH Center for Public History, Old, Weird Houston is “a local alternative history fair and symposium that preserves, interprets, and shares the hidden histories of unusual and creative people, institutions, and events that have made our city one of the most diverse and livable in the country.” The event brought together history scholars and enthusiasts in an accessible and engaging format.

UH Special Collections hosted a display at “Old, Weird Houston.”

The display reflected the work of archivist Katy Allred, who created hand-drawn signs for the table and helped plan and organize the selections, particularly The Art Guys Records. Other materials represented Houston Gorilla Girls Records, Marvin Zindler Papers, Ima Hogg Symphony Programs Collection, and Texas Music Collection. Attendees experienced distinctively Houston-esque items such as a “Slime in the Ice Machine” t-shirt, a vintage photo of Ima Hogg on a horse-drawn float at a No-Tsu-Oh parade, and mail art sent in the 77008. Photos and ephemera related to the Axiom, the epicenter of Houston’s late 80s, early 90s underground music scene, were included, part of the Julie Grob Axiom Records. (Grob is an archivist and coordinator for instruction at UH Special Collections, and was Axiom’s booking agent and publicist).

These and other items of historical and local significance are available for viewing and research at UH Special Collections. Visiting UH Special Collections